And don’t get your scrunchies in a bunch: some hair metal definitely snuck in. It was the first American combat-ready jet fighter when it went into service in 1945. Few airplanes in the history of aeronautics have been as successful as the Lockheed P-80 Shooting Star. From genre-defining works of genius to ear-worm flights of fancy, these are the best songs of the ’80s. Lockheed P-80 Shooting Star The first production P-80As were painted to smooth all skin joints. But mostly, we curated with maximum enjoyment in mind while limiting the list to one song per artist. In compiling this list of the very best of the decade, there was a lot to consider: lasting impact, cultural relevance, actual musicianship, catchiness, coolness and, of course, nostalgia. And as the decade wore on, rap’s early ripples turned into a tsunami that changed the face of pop music forever. Electronic innovators like New Order rewrote the rules of music. Here are the best 80s party songs to add to your 80s music playlist. New Wave stalwarts like Talking Heads and Devo found new grooves while transcendent artists like Marvin Gaye and Paul Simon offered up some of the best work of their careers. These differed from earlier Shooting Stars in that they were equipped with the identifiable 225 gallon fuel tanks along the wingtips and brought about the familiar all-metal finish. They form a big part of the joy of listening back to the decade that had a booming nostalgia industry attached practically the moment it ended.īut the ’80s was about so much more than the sum of its eccentricities: there's a huge difference between ‘an ’80s song’ and ‘a song from the ’80s.’ This is the decade that gave us peak Prince, Madonna and Michael Jackson, that launched Public Enemy and NWA upon the world. The P-80A became the first production Shooting Star, delivered in 344-strong 1-LO and 180-strong 5-LO production blocks. Let’s be honest: all those things did in fact happen, and for the most part they were great. The ’80s – and, by extension, ’80s songs – can sometimes be viewed as if they were all some big, fabulous kitsch experiment, in which everybody dressed up ridiculously – big hair, scrunchies, power shoulders – and all music was cartoonishly OTT, be that the daft excesses of hair metal, the stygian gloom of goth, or the bouncy good cheer of synthpop.
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